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When studying in my introductory Lyric Writing class at Berklee College of Music, I was introduced to a concept that changed my approach to songwriting moving forward - song seeds.
A song seed is exactly what you might expect: a seed from which a song can grow. In other words, the roots of a new idea. A short lyrical phrase, interesting title, melody, chord progression, groove, or concept. The possibilities are endless. The reason why song seeds are so important is that they provide a streamlined way to collect fleeting ideas. This comes in handy as a songwriter living an active daily life, as inspiration does not care where you are or what you're doing; you'll often find an idea when you're least expecting it, in the middle of a busy day. Song seeds provide the opportunity to quickly store those ideas and develop a collection of ideas to look back on when you're feeling uninspired or need a foundation to jump off of when beginning a new song. Song seeds are also particularly useful for co-writing - it allows you to bring a handful of possibilities to the table. As I mentioned, a song seed is essentially what we call an idea. This can exist in any form - you may record a melodic idea to your cell phone's voice memos on your way home from the grocery store, or overhear an interesting line from a conversation on the bus and write it down in a journal or type it in a note. Either way, if something catches your attention, it is important that you write it down or record it immediately. Your inspiration can only do half of the work - it is your job to catch those ideas and transform them into something tangible before they move on. For example - my song "Salt" was born from a voice recording I created while sitting in traffic one evening on my way home from my day job in Nashville. “Art is born in attention.” - Julia Cameron, The Artist's Way: A Spiritual Path to Higher Creativity
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Author: Phöenix Lazare
One of the best ways to streamline your lyric writing process is to use creative free-writing. In my songwriting education, I studied a useful exercise called Object Writing, introduced and encouraged by songwriter/educator, Pat Pattison. Object Writing is a timed, sense-based creative writing activity to creatively stimulate, gather new ideas and help to begin the songwriting process. To begin object writing, it is simple:
When object writing, it is important to remember these few things:
I'll give you an example of 5-minute timed Object Write below using the prompt, "Celebration." Celebration: Glitter covers the black and white tiled floor, sticky with Shirley Temple paper umbrella drinks spilled between amateur dance moves. The popular music, so loud I can already hear my ears ringing into tomorrow's late morning, screams through the giant-sized speakers that hug the footprint-studded stage. As I look around the dim lit room, I feel an energy, hopeful but with an emptiness overcast, shadowing like a broken umbrella above forced smiles and intoxicated lust. Yet a comforting presence, observed through the eyes of strangers seeing an evening through to sunrise, lighting a dance floor with a youthful electricity. The subtle scent of stale kettle corn and sweat follow the hallways... Now here it is again, with my favourite parts underlined: Glitter covers the black and white tiled floor, sticky with Shirley Temple paper umbrella drinks spilled between amateur dance moves. The popular music, so loud I can already hear my ears ringing into tomorrow's late morning, screams through the giant-sized speakers that hug the footprint-studded stage. As I look around the dim lit room, I feel an energy, hopeful but with an emptiness overcast, shadowing like a broken umbrella above forced smiles and intoxicated lust. Yet a comforting presence, observed through the eyes of strangers seeing an evening through to sunrise, lighting a dance floor with a youthful electricity. The subtle scent of stale kettle corn and sweat follow the hallways... To take it one step further... I'll construct a verse inspired by elements from my favourite lines: Observed through the eyes of strangers Forced smiles, electric youth Spilling Shirley Temples Between amateur dance moves Author: Phöenix Lazare
To become the best songwriter you can be, you must first discover and explore your natural inspiration. This is one of the most important parts of our voices as artists; it is what fuels our creative fire. It is true that as songwriters we need to learn and continue to educate ourselves on tools to enhance the quality of our writing, but inspiration is the foundation that our work stands on. Nurture it; trust it.
I do not believe that inspiration can be forced, nor do I think you should ever force yourself to write if it’s only going to continue to frustrate you. This is often how songwriters fall out of love with the craft. That being said, I speak from experience when I say that there are ways to stimulate yourself creatively and encourage inspiration to be present with you in the moment.
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